Few films have combined such artistic merits with such a searching and sympathetic portrayal of Christian faith.
The film “Rashomon” is famous for depicting four different versions of the same event—a potential rape and a murder in a secluded forest, involving a bandit, a nobleman, and his wife. None of these versions is even close to the same
“I used to want to save the world, but I knew so little then.” So says Diana the Amazon in the opening of Wonder Woman, a movie that mixes the worlds of comic books, World War I, and ancient Greek myths.
Ghost pirates, ghost sharks, witch chases, buildings dragged through streets, Galileo Galilei’s diary, and Galileo’s ruby, which is a key to unlocking the Trident.
With the movie looking to be one of the biggest financial flops in recent cinema history, and with iAt’s resident snarky film critic, Josh Matthews, out of town, you might wonder why I would be …
Given the name “Life,” the title of this new outer-space science-fiction thriller, I was looking for a grand artistic gesture. I wanted a movie about all the vast complexities involved in the purpose of life itself.