Midway through Valerian and the City of a Thousand Planets, I thought we were witnessing one of the greatest visual experiences in movie history.
In an era of superhero movies galore, Dunkirk reminds us again of real human fragility and fear.
This movie asks us to side with the apes, to root against the human army that they face, and to feel elated at the prospect of a planet full of sentient apes, without sentient humans.
In constructing an entire world, The Wire highlights a much more complicated way of approaching moral life than is often attempted.
Few films have combined such artistic merits with such a searching and sympathetic portrayal of Christian faith.
The film “Rashomon” is famous for depicting four different versions of the same event—a potential rape and a murder in a secluded forest, involving a bandit, a nobleman, and his wife. None of these versions is even close to the same