It’s billed as a true-crime podcast, but that’s like calling Dylan a gospel singer; while a section of the story revolves around the crime that McLemore mentions in the email, it’s really only a couple of records in a lifelong catalog.
There are two movies here, neither of which get along well with the other. There’s the Disney musical with the melodramatic love story. And then there’s everything in and about the Beast’s castle.
When I was a grown-up, I watched Logan, and again I remembered being a kid who watched those cartoons, in part to root for Beast and Cyclops and Wolverine, and in part to deal with a dark and dreary world.
Scorsese has made his most “Christian” movie here—at least, overtly Christian. Silence says in a hundred creative ways that God is Not Dead, although not, thankfully, in the title.
The core of this movie is love: love for vocation, talents, location, art, and other people. At the end of the day, this is a movie made up of the basics: primary colors, ordinary singers, real location shoots around the city of Los Angeles.
“Hacksaw Ridge” is a rare bird among war movies, neither pro- nor anti-war. It is in part a response to gung-ho World War II movies in which American warriors kick Nazi or Japanese butts and take names.