Ultimately, it wasn’t the collision of the plane that kept me turning pages, but the collision of characters—both with each other and with the wildness of the world.
The Shallows and The Next Story do an excellent job of motivating the reader to consider their use of media, but it seems to me that the different approaches taken by these authors are rooted in fundamentally different pictures of what it means to be a human being.
Lila tells the story of a young woman, Lila Dahl—of her abandonment at birth, her wild upbringing among vagrants, and her eventual arrival in the small town of Gilead, Iowa, where she begins a relationship with the gentle pastor who would one day become her husband. It is a story of grace – divine and human – and of unconditional love.
The only tough part of a virtual roundtable like this book club series is figuring out how to either respond to all of the good points made or to pick from among them in a way that doesn’t neglect something valuable.
Dreher’s plan is an “option” for certain people, but certainly not for all. I wonder if, after some of the criticism he has received, Dreher would edit anything from the book. I’d be curious to see what changes he would make if he were ever to rewrite it for a second edition.
Much of evangelical culture has been and remains banal. How do we expect adults who grew up in churches to create culture rather than creating a “Christianized” copy of the surrounding culture?