Few films have combined such artistic merits with such a searching and sympathetic portrayal of Christian faith.
The film “Rashomon” is famous for depicting four different versions of the same event—a potential rape and a murder in a secluded forest, involving a bandit, a nobleman, and his wife. None of these versions is even close to the same
Ghost pirates, ghost sharks, witch chases, buildings dragged through streets, Galileo Galilei’s diary, and Galileo’s ruby, which is a key to unlocking the Trident.
With the movie looking to be one of the biggest financial flops in recent cinema history, and with iAt’s resident snarky film critic, Josh Matthews, out of town, you might wonder why I would be …
The Case for Christ tries to present a rational defense of Christ’s death and resurrection. The movie picks on an older apologetics target (that is, rationalistic atheism), and it names its opponents.
Given the name “Life,” the title of this new outer-space science-fiction thriller, I was looking for a grand artistic gesture. I wanted a movie about all the vast complexities involved in the purpose of life itself.